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Professor Ian Howard
Research Expertise
Professor Howard's training nationally and internationally in
art, art education and film and television production, has provided
strong foundations for a career that encompasses artistic, academic
and administrative leadership roles in the area of experimental
media production. The subject matter of his research is concerned
with the relationship between military and civilian populations.
This aesthetic shifts between the unlikely quadrants of conceptual
art, archaeology, popular culture and agit-prop, resulting in an
output that includes gallery exhibited images, objects and videos,
major international site projects/performances and broadcast media
productions. The ambition of Howard's research is to provide a framework
which enables the open and expressive interpretation of pertinent
subject matter resulting in a convincing narrative about issues
of social significance. Digital cinema and the reformulation of
narrative through the integration of interactivity is the vehicle
through which this ambition is achieved.
Qualifications
Master of Fine Arts, Concordia University, Montreal, Canada, 1976
Post Graduate Diploma, Film/Television, Middlesex Polytechnic, London,
England, 1974
Diploma of Art Education, National Art School/Alexander Mackie College,
Sydney, 1968
Current Appointment: Dean, Faculty of the College
of Fine Arts, The University of New South Wales, appointed 1998.
Publications:
Significant Publications (1999-2004)
Exhibitions of works
1. Khyber Passing, Ian Potter Museum of Art, Melbourne
2003.
2. Cool Images, Australian Centre, Berlin, 2003.
3. A Bridge too Far, Watters Gallery, Sydney in conjunction
with Col Xing Junqin of the People's Liberation Army, PRC, 2002.
4. SweetStalking included in Future Cinema, the Cinematic
Imagery after Film exhibited in Europe and Japan 2002-2004.
5. Surface Tensions survey exhibition, Central Academy
of Fine Arts, Beijing, 2000.
6. Cries and Whispers, Charles Nodrum Gallery, Melbourne,
1999.
Career-best Publications
1. Curatorial work, scripting and executive production of SBS documentaries
Art of Place 1996, and Millennium Shift - Art of the
New World Order, 1997.
2. Designer for Fire, Water, Paper A Vietnam Oratori, a
Brisbane Biennial Festival of Music event, Queensland Conservatorium
of Music, 1997.
3. Foreign Bodies, survey exhibition, Drill Hall Gallery,
Canberra, 1997.
4. One World, touring exhibition, Queensland Art Gallery,
Brisbane, Watters Gallery, Sydney,1992.
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