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2007
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Barker T, “Adapting a Model of Duration: The multitemporality of T_Visionarium II”, M/C Journal, Adapt Issue, May 2007
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Davis A, “Tracking, Imaging and Imagining the Invisible: Media arts response to mediatised life”, RealTime: a critical guide to international contemporary arts, Issue 78, April/May 2007 (pre-press)
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Devine K, "Place and Time: Creating contextualised presence for virtual heritage", Proceedings of 13th Annual Virtual System and Multimedia Conference, Brisbane, 2007
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Kocsis A, “Brokering Meaning with Design: Working across communities of practice ”, selected Proceedings, 13th Annual Virtual System and Multimedia Conference, Brisbane, 2007, Lecture Notes in Computer Science, Publisher Springer Berlin/Heidelberg. (Best Paper Award)
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Kocsis A, “Unraveling Information and Crocheting Meaning: Designing with complex information for museum audiences”, selected Proceedings, Emerging Trends In Design Research, International Association Society for Design Research, Hong Kong, 2007
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Flintham M, Smith K, Benford S, Capra M, Green J, Greenhalgh C, Wright M, Adams M, Tandavanitj N, Farr J, Lindt I, "Day of the Figurines: A slow narrative-driven game for mobile phones using text messaging", Proceedings of PerGames, International Symposium on Pervasive Gaming Applications, Salzburg, 2007
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2006
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Barker T, “The Affect of Deep Sleep within Duration: Temporality, narrativity and interactivity within the affective medium of interactive cinema”, Proceedings of Art Association of Australia and New Zealand Conference, Melbourne, 2006
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Barker T, “Pentimento, Past, Present and Future: An interactive construction of memory”, Proceedings of Rethinking the Past Conference, University of Technology, Sydney, 2006
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Davis A, “Creating a Social Anxiety Interface in the Artwork In the House of Shouters…”, Proceedings of Engage IAAE, Creativity and Cognition Studios, University of Technology, Sydney, 2006
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Davis A, “Social Anxiety and the Digital Encounter”, Proceedings of Art and Politics Postgraduate Conference, College of Fine Arts, University of New South Wales, Sydney, 2006
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2005
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Davis A, “Performing Social Anxiety in the Artwork In the House of Shouters…”, School of Media, Film & Theatre, University of New South Wales, Sydney, 2005
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Davis A, “Mobilising Phone
Art”, RealTime: a critical guide to international contemporary
arts, Issue 66, April/May 2005
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Kenning G, “Generative Art
Practice”, Creativity & Cognition Studios, University of Technology,
Sydney, 2005
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Jin C, Tan T, Kan A, Lin D, van Schaik A, Smith K, McGinity M, "Real-time, Head-tracked 3D Audio with Unlimited Simultaneous Sounds", Proceedings of ICAD 05, International Conference on Auditory Display, Limerick, 2005
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Kan A, Tan T, Jin C, Lin D, van Schaik A, Smith K, McGinity M, "3DApe: A real-time 3D Audio Playback Engine", Proceedings of AES 2005, Audio Engineering Society Convention, Barcelona, 2005
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Walsh S, "Friendly Fire: Epistolary
voice-over in Terrence Malick’s The Thin Red Line", Literature
Film Quarterly, 33:4, October 2005
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2004
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Davis A, “Altered States: Perceptual Difference Conference at Biennale of Electronic Arts, Perth”, RealTime: a critical guide to international contemporary arts, Issue 63, October/November 2004
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Davis A, “Emerging New Media Artists: Well taught, self-taught and still learning”, e-Performance and Plug-ins, A Mediatised Performance Conference, RealTime: a critical guide to international contemporary arts, Issue 62, August/September 2004
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Kenning G, “Pattern as Process”, COFA, College of Fine Arts, Sydney, 2004
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Smith K, Hagen P, "Informing the Everyday Interface: Exploring user-content relationships in interactive art," Proceedings of Interaction: Systems, Practice and Theory, Sydney, 2004
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Smith K, "From Transmission to Multiplicity: Interactive art installations as a site for research", Proceedings of ACM MM04, ACM Multimedia, New York, 2004
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Walsh S, “Speaking Out Of Line: Voice-over in war films”, Proceedings of War in Film, Television, and History, Texas, 2004
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Walsh S, "The Indelible Date - A program of short national and international films created in response to September 11, 2001", COFA, College of Fine Arts, Sydney, 2004
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Walsh S, “Foreign Correspondents: Female epistolary voice-over in war films”, Proceedings of Sounding Out 2, Nottingham University, Nottingham, 2004
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2003
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Davis A, “RUN_WAY an emerging artist initiative”, RealTime: a critical guide to international contemporary arts, Issue 57, October/November 2003
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Davis A, “In the DEAF03 playground, the Dutch Electronic Art Festival”, RealTime: a critical guide to international contemporary arts, Issue 56, August/September 2003
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Davis A, “Rotterdam: New media pleasure and pain”, RealTime: a critical guide to international contemporary arts, Issue 54, March/April 2003
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Kenning G, “Immanence of Lace”, COFA, College of Fine Arts, Sydney, 2003
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Smith K, "Rewarding the Viuser: A human-televisual data interface application," Proceedings of VSMM 2003, Virtual System and Multimedia Conference, Montreal, 2003
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2002
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Walsh S, “The Efficacy of Voice-Over in Representing Truth, Guilt and Self-Identity in War Films", Proceedings of Film and History, Art Association of Australia and New Zealand, 11th Biennial Conference, Flinders University, Adelaide, 2002
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Postgraduate Research
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